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_We_ are, in a great measure, the 'external influences' that modify art. The motion exists, but it devolves upon us to give direction.
We have already alluded to Venetian architecture as being parallel in origin and tendency to our own, and much can be gained, we believe, by a careful examination of what it accomplished. Not that we ought to copy, line for line, the doge's palace or the Casa d'Oro-the arabesque arcade, or the Gothic balcony-that would only be following the well-worn rut of imitation. We are not to study the result, but the cause. For the causes that produced the style in question were not unlike what we find at home to-day. A commercial republic, there was the same liberty of expression-the same preponderance of the individual over the national; and there, as here, are we attracted rather by the elegance of independent units than by any general unity of design.
But the growth of art in Venice (we ask special attention) was due to her central situation, and the simultaneous influx of foreign elements.
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